MUSICIAN. ARTIST. GARDENER.
AUG 2022 JOURNAL.jpg

JOURNAL

MICHAEL MUSIKA'S CHRONOLOGICAL DOCUMENTATION OF CREATION THROUGH WRITING, PHOTOGRAPHY, AND PERFORMANCE ON VIDEO.

JOURNAL


 
JULY 9, 2025 //

SAN FRANCISCO, CALIFORNIA

The impediment to progress is not knowing where to start. I am good at resourcing ideas that would change the world for the better in theory. I am also good at writing these ideas down and organizing them for later use. Unfortunately, thus far, the greatest portion of my time has been spent in maintaining an archive of ideas, as opposed to executing them, and publishing the results.

So I had on my list today to write in here having entered blindly, in order to cultivate the habit of producing instead of just theorizing. There is a thick layer of fog above the roof tops I can see out of the corner window that affords southern and western views. Below the windows on a black vinyl couch Ramona is sleeping. I have just concluded reading two music criticism articles I cut out of a New York Times Magazine with scissors four years ago. Yesterday I successfully replaced the European Hinges on a client’s cabinet and got paid. I also practiced learning the KO II again, and went swimming in the ocean, and watched McNulty before bed.

Right now, I have two hours or so until Ramona will require her afternoon exercise. It is my intention to spend this time on activities that will calm my nerves. This intention was set, and will be converted into action, under the theory that doing so is the best path to the remuneration, freedom and companionship that seems missing. This is because a long period of seeking to do what I “should” or what I “deserve” was based upon the appearance of struggle and suffering observable elsewhere in the world, and seemed to dictate that I either perform a miracle or else spiral into hell trying. (By a long period of time I mean, probably around thirteen years or so.). It was thirteen years of functionally drinking beers, ripping cigarettes, coexisting with dysfunctional workaholism.

I did it in beautiful places and also in tortuous, banal ruins. Sometimes I achieved half finished, promising results, or little broken pieces of romantic relationships. The surroundings changed. There are pictures of snowy forests, and the long drives and dystopian airports between, modern cities with colorful shining windows, and bright tropical sunshine on primitive beaches in the winter, and coastal mountain ranges north of the arctic circle, shivering in a rubber suit and drinking aquavit with locals in lawn chairs under the midnight sun. (There is an impulse to bring that paragraph down to earth with an admission of all the less than glorious intervening memories. Or a true story violent enough to make the uncomfortable feeling of modeling good behavior rendered toothless and inert. Or simply to make fun of the run on sentence. What say you my robot friends? Am I teaching you to speak or is it vice versa?)

Hell, like salvation, is a manifestation of a subconsciously applied sequence of assumptions. Neither are unspeakable realms. Neither are forever. Neither are personal. Love, if uncorrupted, is a garden where one continually and freely cuts ties based on intuition, which is being in dialogue with something outside of the self. You must move here light on your feet, with a loose grip, ready to spring into forceful action. Forceful action, if it is to be powerful, operates from a place that is deeply relaxed and unattached.

This is what came to me to write. There is a lot of talk about how artificial intelligence will destroy the human race in the popular discourse I’ve heard lately. Isn’t this predicated upon the idea that there is some evil, hidden others doing the programming? What if we all are doing the programming? I say we are. And likely, no one is reading this but the robots or aliens, or whatever you call them, because I’m not good enough at writing, nor relevant enough a cultural figure to warrant the attention of any given human in an attention starved society. Adieu. Farewell.

Michael Musika
JULY 3, 2025 // WATCHING MCNULTY WITH RAMONA

SAN FRANCISCO, CALIFORNIA

THE ARTIFACTS OF LAST NIGHT’S EFFORT TO LEARN TO SAMPLE A RECORD ONTO THE EP-133, KO II PHOTOGRAPHED.

Lately I’ve been making music for about two hours every night after dinner. I recently got that sampler from Teenage Engineering which is called a KO II. The record I was sampling is of a nun who plays organs and pianos in Africa really nicely. We made some progress last night, and just struggling to learn the machine felt peaceful and focused. Ramona would prefer to have company immediately after dinner so I make it up to her after the music is over and share a bowl of strawberries or raspberries with her on the couch while we watch a program. Right now we are rewatching McNulty’s antics in the Wire, Season One. The villain on the Wire is the attorney whose name I think is Maurice Levy. Some of the good characters are Weebay and Avon Barksdale.

McNulty is neither good, nor bad. He is who you hang out with to tour through the baltimore streets and get to know the corrupt police department and local politicians. I went through a period in life where watching self destructive behavior and a chaotic lifestyle was a familiar experience. I’m grateful that currently it feels like I can use it to contextualize the past.

Last night I had terrible nightmares. Today was nice though. I swam in the ocean for third day in a row. After our afternoon run Ramona always runs to the truck and asks to jump in because, I presume she wants me to go swimming in the ocean.

I’m just trying to make a habit of doing this writing and documentation. My neck hurts now though. The baseball game is playing on the radio. Robby Ray is pitching and the Giants are winning. Soon I will make music and tomorrow I will fix my client’s cabinet door and do some work on her garden. I need to make four times as much money as I do now but I finally feel like I’m living with integrity and balance. The world is engineered on accident by society against balance but that doesn’t mean it’s sensible to cooperate with that. I don’t work as hard as Avon Barksdale but maybe one day I will. Or maybe I will go where there is less concrete and people, and the outside will be wind, birds, flowers, and the sea.

I tend to think people are mad at me for wanting nice things like that. But that’s probably because I’m so mean and judgmental toward people who buy cakes and bring them to the beach or go to furniture stores. You know…if you can learn to emanate love, and focus on it, as opposed to Fauci or Maurice Levy, then you will go to a better reality. You won’t have to worry about people wanting to destroy you.

God helps those who learn how to create material or immaterial works. One who is focused on these pursuits and learning them, is in the image of the creator, and a better member of society. Ok. Ok. I will work on it. I will!

Michael Musika
OCT 27, 2024 // THE LIGHT IN THE WINDOW

SAN FRANCISCO, CALIFORNIA

Halloween and joy are for children. Grow up!

I was invited to a Halloween Party and decided not to go. What if all choices were predicated upon qualifying for a beautiful companion? On the bright side, we chose to face the window rather than having the light at our back. The shot is relatively well framed. I still don’t understand how you keep the subject in focus if no one is behind the camera.

DITLOSMichael Musika
OCT 27, 2024 // THE BLACK HOLE OF ETERNITY

SAN FRANCISCO, CALIFORNIA

No hot tubs. Ever.

Julez expresses his views on people who enjoy hot tubs, and/or taking baths. Probably he prefers colder water off the coast of Antarctica, and is frustrated to be stuck in North America. Penguins like all animals prefer to live in their natural home. Once domesticated, animals serve to help their human companion find their natural home.

SEPTEMBER 7, 2024 // SHELTER COVE

SHELTER COVE, CALIFORNIA

Ramona and I drove to Shelter Cove to see if we were meant to move there. It is a beautiful place but we saw a deer that told us the time isn’t right.

BLACK DOG ON THE LOST COAST // Canon EOS 5D Mark IV. EF24-70mm ƒ4L IS USM. ISO 100. 24 mm. 0 ev. ƒ7.1. 1/125 s.

💀

We drove from San Francisco to Shelter Cove to see if we wanted to move there. I experienced physiological manifestations of mental illness in the form of elevated heart rate and shortness of breath. This photograph was taken after I had successfully beaten those symptoms into submission by running through the forest and the whole town with Ramona. We saw a bear shit and I felt better and Ramona had lots of fun running behind me formed up like a wolf. She got tired eventually and we went back to where we were staying to drink some water and we drove the truck back down to the beach so I could take a swim.

While we were in Shelter Cove a man at the general store told me how his bobcat broke and his portable milling business was on hold. A lady told me that the seaside air cured her asthma and that you should never go swimming here or you will die and I said don’t worry I’m a professional and the ocean is the least of my problems which she did not like but it’s true and swimming in the ocean was a brilliant part of our stay.

There was an airstrip, a house by the beach road with drawn curtains and “fuck rik” painted on the outside of the window. There was small fish processing station. There was a man who had an artistic garden and chickens who I complimented. There was lots of boats, some broken, some not, one with a statue of a shark driving it through someone’s front lawn.

The way the coastal range, covered in dark green forest slants into the grey rocks of the beach is quite magnificent. I could live there, but right now I don’t want to leave where I am. I feel that I’m being uprooted by force and cast to the wind. I hear the voices of people that scorn me for having these feelings, and thinking these thoughts. I am a failure, and an embarrassment and now I have the audacity to write about it.

I am writing into the void though dumbass. And the standards at which these accusations are rendered are not my own, any more than I am anything more or less than some mysterious, happenstance confluence of matter and energy. Now, finally the radio broadcasts, which pleases God. Does God desire an editor. I suspect so, but trust that position will be filled at the appropriate time and plac.e

JULY 6, 2024 // ANTI VENOM

SAN FRANCISCO, CALIFORNIA

This journal is a record and you record what you record, which creates a pathway. I like reptiles and snakes. Furthermore I would like to live a good life and be a source of positivity so I tried to steer the sailboat more in that direction here.

DITLOSMichael Musika