MUSICIAN. ARTIST. GARDENER.
AUG 2022 JOURNAL.jpg

JOURNAL

MICHAEL MUSIKA'S CHRONOLOGICAL DOCUMENTATION OF CREATION THROUGH WRITING, PHOTOGRAPHY, AND PERFORMANCE ON VIDEO.

JOURNAL

EVERY TIME WE MAKE A WORK OF ART WE PUT A DOCUMENT OF IT HERE IN THIS JOURNAL FOR A JAPANESE DOCUMENTARIAN FILM MAKER SO THEY CAN MAKE A DOCUMENTARY ABOUT THIS ARTIST IN THIS WEBSITE BECAUSE THEN WE CAN GO TO JAPAN, HOPEFULLY NOT SO LATE IN LIFE THAT IS A CRUEL IRONY.  MOST PEOPLE BESIDES JAPANESE PEOPLE EVER GET TO GO TO JAPAN. WE UNDERSTAND, BUT WE GENUINELY WANT TO GO TO SEE THE COUNTRY AND OUR FRIEND NOBU.


 

AUG 30, 2022 // PENTAX K1000 PART III

THE SEA RANCH, CALIFORNIA

DOG + WOMAN BY THE SEA // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200

LIGHT THROUGH REDWOOD TREES // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200

LIGHT THROUGH THE RIVERBED // // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200

LIGHT ON A YELLOW PROPELLOR AIRPLANE // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200

ROCKS + PEBBLES BY THE SEA // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200

LIGHT ON THE SEA // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200

SUNSET + TIDEPOOLS // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200

Voila, it’s the third installment in our series of experiments employing our father’s old Pentax K1000 camera. This roll we changed lenses to the Bell + Howell 28mm F2,8, hoping to learn the inherent advantages and disadvantages of each of the three lenses in his kit. These pictures were shot in Sea Ranch, California.

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