MUSICIAN. ARTIST. GARDENER.
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JOURNAL

MICHAEL MUSIKA'S CHRONOLOGICAL DOCUMENTATION OF CREATION THROUGH WRITING, PHOTOGRAPHY, AND PERFORMANCE ON VIDEO.

JOURNAL

This Journal is for a Japanese documentary film maker so that we may have an opportunity to go to Japan.


 
MAY 21, 2011 // THE MUSIC WE MAKE, TAKE 2

AMSTERDAM, NETHERLANDS

I woke up to the bright sun shining on my face. It was eight AM. Church bells were ringing outside the open window, and children were rowing boats by on the canal. We walked to breakfast and were disappointed to find our spot was closed. We had to eat an unremarkable hard boiled egg and toast elsewhere.

After that we went back to Lotje’s apartment and made a movie on the balcony. A neighbor was watering his garden shirtless down below. He looked up, smiled, and gave us a salute.

When we were done with the movie, we walked through the park across town again. People were having picnics. I felt ill at ease despite the beautiful spring afternoon.

We stopped at the dead end of two canals in the shadow of a former garrison. There we stood at the arch of a bridge overlooking house boats. and set up the camera. Several girls in a bicycle procession winked and smiled. Then two strange men with gaunt faces stopped and peered into the camera to offer criticism of how I'd framed the shot.

We finished filming three songs and walked to Cafe Monument Je near Prinzengracht canal. I stopped and talked to a young buttoned up sort who had passed us making the movie. He was enthusiastic and said that most Dutch young people are only interested in Electronic Music these days. “I’m afraid you two are relics” he told me. I did feel like a relic. I gave him a cd. He said thank you an bid me a fond farewell.

We walked further along the canal. The houses were four hundred years old and sinking diagonally into the marshy ground the city was built on. Long rows of windows reflected the house boats. We peered into the homes. We saw shining wooden floors, book shelves from the hulls of ships, hand crafted clocks, gardens growing from broken antique machinery, musical instruments, record players, and ladders to lofts.

We crossed an arched bridge as the sun was setting, then turned onto a narrow cobble stone street. Lanterns were hanging from ropes connecting the opposing walls of the corridor. When we reached Cafe Monument Je, Rolf was standing outside. He was tall, wiry, and severe. His face was handsome and his grey hair was neatly styled like the turn of the last century. He wore an apron, and was sweeping the terrace of his cafe.

He greeted us with a handshake and a nod of his head. We told him we were hungry and he suggested the restaurant next door. Dinner there was very good. We had rice, salad, and fish. We sat accidentally next to a couple from San Francisco who were in a band called Hang Jones. The man had lots of tattoos and a rockabilly hair cut. When the couple departed, Eric told me all about the Misfits before Glen Danzig lost the plot. After that we walked down the steep stairs to the terrace of Cafe Monument Je.

The inside of the venue had a wooden floor and a bar. The floor was covered by fine grains of sand. There was a piano in the corner at the far end of the room from the front door. We took a table off the stage, set up our portable battery powered amp, and tuned our guitars.

The show went well. It was 9:30 in the evening when we finished. The northern twilight was still glowing in the windows. Summer was near. I had sung loud and Eric had smashed away on the old piano. A Dutchman laughed heartily and tried singing a long. Later he told us he got rich from his job and told them "fuck you I don't need this anymore." Then he laughed loud and told story after story about how he spent his money traveling into dangerous situations for sport. Redneck bars in New Mexico where drunk men fired pistols at rodeo clowns. Junks in Vietnam with holes in the bottom the size of saucer eyed goblins. His friend was a toothless much older man with weeping eyes. Some strange ladies interrupted the stories at some point to offer us sugar topped cakes. 

Rolph kept a watchful eye on the proceedings and periodically insisted on providing us with drinks. At the end of the evening he came over and put his hands on our shoulders and in his dignified, stone faced way offered appreciation. He told us we are welcome back to play anytime. We thanked him and started walking a long way home carrying our camera, tripod, amplifier and two guitars.

We got lost. After some frustration we found a bus. I asked Eric if I’m a failure. He answered in measured tones as the darkened city passed by outside the rattling windows. I felt weary beyond repair.

Michael Musika
FRI MAY 20, 2011 // SPELLBOUND TRAVELER + DICTIONARY

AMSTERDAM, NETHERLANDS

I awoke up at five in the morning.  Eric was sleeping on the couch.  I started doing yoga and accidentally knocked over a box of trinkets. Eric woke up, sighed, and stumbled away into an adjoining bedroom.

I stretched for about an hour, and then crawled back into my sleeping bag. Eric entered the room an hour later. He stood in a diagonal ray of sunlight looking down at me on the floor with a weary expression. I got up and we walked for a while until we found a place called Biscuit. There we sat down at an outside patio and ate freshly baked bread and raw vegetables.  The sun was warm. Several well dressed old men rode by on bicycles.

After breakfast we walked to Vondel Park and made movies on the shore of the canal.  A man from the Caribbean called Eric "automatique."  Then we took a long walk to the old town district. Brick buildings were slowly sinking into the marsh. There were lots of house boats and arched bridges.

We stopped on a bridge in the late afternoon to street perform and my memory failed me.  The songs spilled out meekly to indifferent passers by. I felt like an old man and wanted a lion to come eat me.  After playing a few songs we gave up and went for dinner at a restaurant in an store front by the canal. We had fish and potatoes. At the restaurant a strange man saw us with our guitars and offered to take to take us to a place where we could find a gig. His name was Chris.  He was Irish.  We walked with him down a narrow alley and ended up at a bar where a tall, serious was playing records.

"Go speak with Rolf" Chris told me, pointing at the man playing records. Then he went to the bar to get a drink. I squeezed through the crowd over to the DJ table. I introduced myself and was able to convince Rolf over the loud music to give us a show tomorrow night.

Then Chris, impressed with my follow through, bought us beer and introduced us to his friends. They were a group of women about his age, which I gauged to be fifty something years old. They'd partied a lot in their day.  They looked at us with nostalgia. The most charismatic of the bunch told me she had a daughter and that’s a singer and that she loved the changing seasons. Then the drunkest woman thought Eric's upwardly standing guitar case was one of those poles used to tie up a horse. She leaned on it and tipped slowly over.  She spilled her beer on me as I attempted unsuccessfully to prevent her from falling to the stones on the terrace.   She told Eric later that she was a 1960s hippy from New York who became an Amsterdam ex-patriot and warned: "You can never go home again."

Shortly thereafter we bid the ladies and Chris farewell and began to wander home. We were sidetracked after two blocks by a spunky woman who beckoned us into her birthday party. Eric played her “Happy Birthday” on the guitar. We drank a whiskey in the birthday party bar and slipped out unnoticed. We were cold and tired and had a long walk through the darkness ahead of us. 

We walked past children riding BMX bikes in a brightly lit, empty swimming pool on the shore of a canal unsupervised at midnight. Further down down the long cobblestone road trains were rattling by.  After getting a little lost we found a train to take us back to the Oud Zuid portion of the city where Lotje’s apartment was located. 

I felt sad. Pretty girls pedaled in the darkness on bicycles. North African children dressed in track suits passed us on the sidewalk.  Eric urged confidence. Performance is about attitude and loses substance when it's over thought. Also he said I need to sleep a whole night.  He offered to punch me in the face if I wake up at five again tomorrow. 

Michael Musika
THURS MAY MAY 19, 2011 // SAN FRANCISCO TO AMSTERDAM

SAN FRANCISCO, CALIFORNIA

I awoke at quarter til seven in the morning on Wednesday May 18th and rode Supershuttle to SFO airport. I got told by an importer of clothing who was headed to Shanghai that there comes a time in life where one makes a decision to choose a path. He was kind. It wasn’t like how my grandmother thinks I’m a beach bum. I met Eric in the terminal. We both had a guitar and a suitcase.

We arrived in Amsterdam at around nine the next morning. The long flight had passed quickly. We picked up a Fiat Panda rental. It was stick shift. I felt delirious. Driving on the Dutch highway after being on a plane for eleven hours I had to remind myself the other cars were real. We saw raindrops, bicycle riders with one hand on the handle bar and the other on an umbrella, and a house boat with a bird’s nest at the base of a buddha statue.

We got the key to Lotje’s apartment from a woman named Anita at Lotje’s office who didn’t seem terribly thrilled with us. After that we drove to Lotje’s apartment building and carried our belongings up the steep flights of stairs to her apartment. Eric opened the door and had a look around. He then turned and asked me if I’d ever seen Breakfast at Tiffany’s. I told him I had not, and he said I have to when we return home.

Then we left and found a cafe to eat food. We ate a bagel, salad and coffee and then went for a long walk through Vondel Park. Upon returning to the apartment we tried working on a song. Then Eric went to sleep on the couch and I wrote this journal entry that you are reading now.

If you’re wondering, here are some reasons why we decided to go on tour:

  • To create music together undistracted by the routines of modern life at home.

  • To experience life before death rather than waiting for after.

  • To make film and field recording documents in peculiar settings.

Here is our itinerary:

  • May 18 - 21 Amsterdam, Netherlands (Street perform. Film documents of old songs. Write new songs.)

  • May 22: Castricum, Netherlands (House concert. Swim in the North Sea.)

  • May 23 -24 Brussels, Belgium (Cafe Show. Shoot an Episode for the Stolen Concert Podcast)

  • May 25 - 27 Paris, France (Visit with Sarah Krebs. Street Perform. Film project with Patrick Brice.)

  • May 28-29th Gryon, Switzerland (Peform at Chalet Martin. Make films.)

  • May 30th Paris, France (Cafe Show.)

  • June 1 - 2 Amsterdam (Be characters in a story)

Here are some topics we discussed while traveling from San Francisco to Amsterdam:

  • Native American Chiefs revere plants and animals.

  • Dwight D Eisenhower's nationalism.

  • Odd Future: Is it artistic courage or self conscious, post ironic condemnation of self?

  • Songs for God dressed in a bikini, chewing tobacco.

 After I finished writing these notes Eric woke up and began playing guitar. Outside the window the sun is going down and starlings are flying by.

Michael Musika