MICHAEL MUSIKA'S CHRONOLOGICAL DOCUMENTATION OF CREATION THROUGH WRITING, PHOTOGRAPHY, AND PERFORMANCE ON VIDEO.
SAN FRANCISCO, CALIFORNIA
MICHAEL MUSIKA, KITCHEN WINDOW // Canon EOS 5D Mark IV Canon EF 24-70mm ƒ4L IS USM ISO 100 0 ev 1/100 s
I am old now. Shouldn’t we find a different window to look out of, far, far out of harm’s way? I know we use the word “ghost” too much, but you really have become one. Do you really belong here anymore?
THE SEA RANCH, CALIFORNIA
DOG + WOMAN BY THE SEA // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200
LIGHT THROUGH REDWOOD TREES // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200
LIGHT THROUGH THE RIVERBED // // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200
LIGHT ON A YELLOW PROPELLOR AIRPLANE // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200
ROCKS + PEBBLES BY THE SEA // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200
LIGHT ON THE SEA // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200
SUNSET + TIDEPOOLS // ASAHI PENTAX K1000 BELL & HOWELL 28mm F2,8 KODAK GOLD 200
Voila, it’s the third installment in our series of experiments employing our father’s old Pentax K1000 camera. This roll we changed lenses to the Bell + Howell 28mm F2,8, hoping to learn the inherent advantages and disadvantages of each of the three lenses in his kit. These pictures were shot in Sea Ranch, California.
SAN FRANCISCO, CALIFORNIA
Everything is a recycling of energy. (Not like how the Mafia does it and sends it to China or whatever.)
SAN FRANCISCO, CALIFORNIA
The spirit is one with Allah, and Jesus, and Jehovah.
SAN FRANCISCO, CALIFORNIA
An actor chronicles his day and auditions for a wanted poster.
SAN FRANCISCO, CALIFORNIA
Julez compares the strategy of Pharmaceutical companies to get money off of the Federal Government to the one JP Morgan used to build the railroad.
