MUSICIAN. ARTIST. GARDENER.
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JOURNAL

MICHAEL MUSIKA'S CHRONOLOGICAL DOCUMENTATION OF CREATION THROUGH WRITING, PHOTOGRAPHY, AND PERFORMANCE ON VIDEO.

JOURNAL

This Journal is for a Japanese documentary film maker so that we may have an opportunity to go to Japan.


 
MAY 28, 2016 // OCEANSIDE SURF TRIP

OCEANSIDE, OREGON

iPhone 6 plus back camera     ISO 32     4.5mm    f /2.2     1/138

iPhone 6 plus back camera ISO 32 4.5mm f /2.2 1/138

iPhone 6 plus back camera  (fisheye lens)   ISO 32     4.15mm    f /2.2     1/842

iPhone 6 plus back camera (fisheye lens) ISO 32 4.15mm f /2.2 1/842

iPhone 6 plus back camera     ISO 32     4.15mm    f /2.2     1/1464

iPhone 6 plus back camera ISO 32 4.15mm f /2.2 1/1464

Canon EOS 5D Mark II    ISO 100     24mm     f/11     1/125

Canon EOS 5D Mark II ISO 100 24mm f/11 1/125

I was living in Southern Oregon on my friend Kenny’s family farm during this period. I drove from that farm over the coastal range to meet my old friend Todd for a surf trip on the occasion of my birthday. We stayed in a cabin on the coast in the town of Oceanside. We surfed two mornings and evenings at the little beach break there in town. We also made a day trip to surf Cape Lookout. This turned out to be a long day after a miscalculation. A ranger told us we were at the trailhead, when in fact we were miles away, and a five mile hike roundtrip turned into ten up and down a very steep slope to reach the surf spot. We ran out of water and hydrated by eating salmon berries. The ranger might not have liked us because we were old friends from a town faraway and that’s annoying. I understand. It was fun anyway.

We also surfed one afternoon in Seaside. Afterwards we watched a Golden State Warriors game at a bar on the beach that had french fry food and beer. An opinionated local who we named “curley q” was posted up there. We’d seen him out in the lineup earlier. He postured and yelled in a way that caused Todd and I to laugh and look like jack o’ lanterns.

Night times, after long days of surfing I was in a phase where I’d drink beer and smoke cigarettes outside. Todd generally joined me for one or two and then went inside and slept with his hat on.

Also, we saw lots of whales very up close and laughed a lot about the modern human’s addiction to internet access which our cabin didn’t have.

Just before leaving we met two women who were also traveling, and had just arrived at the row of cabins. They seemed interested in getting to know new people and having life experiences. Rather than spending time with them, we kept to our itineraries and drove home. This made sense for Todd as an ethical married man and I would expect no less. I was the definition of a rootless, vagrant at the time, and it always fascinates me in retrospect how often I would make “responsible” decisions like this. I was supposed to return to Kenny’s farm in order to resume my duties of nannying, and letting the chickens in and out of the house they lived in. Couldn’t that have waited so that this door, now permanently closed in my memory, could have been opened to reveal the events on the other side? It’s always good to be responsible. One’s responsibilities though, must be continually re-evaluated from the perspective of a time and place faraway, such as now, where I type in a studio, as a committed, stationary, adult. Kenny would surely have understood.

Michael Musika
SAT APRIL 16, 2016 // EVERY SECOND TUESDAY OF THE MONTH (V.V. VARIETY #8)

In the weeks prior to this performance I spent of a lot of late nights recording vocals for the music album titled "YOU CAN IF YOU WANT TO."  Singing the songs over and over again to get them right, I was forced to revisit the memories of past relationships. I had no material prepared for this standup performance at a variety show I was booked for, so I took the thoughts that came to mind while recording preposterous love songs and changed them into jokes. I practiced the jokes on the drive from my temporary home in Talent, Oregon to San Francisco. Farewell sweethearts. 

Michael Musika
FRI FEB 19, 2016 // FOR A REBEL GIRL (PART I)

PETALUMA, CALIFORNIA
I was living in Forestville and drove over to Petaluma in the afternoon to water the house plants for my friends while they were traveling. There was a guitar in the house and I picked it up after I got done watering the plants and this idea came to me. I think it had to do with me not understanding society and feeling isolated because I was alone in a kingdom ruled by a strict, hypocritical ruler. Eventually I’m going to translate this iPhone recording idea into a full arrangement. When I do so I will post the doorway here.

Michael Musika
Overdubbing with Sterlz, Indy, and Annie

After a fine walk, a successful recording session, and a delightful dinner the day before, the crew prepares in the morning to return to SF. It came to light that one of us was just like Franny Glass having been skipped through the early grades of primary school. Another of us shared no such luck, and was made to sit in the boiler room for being stubborn like Cool Hand Luke. The third in our party was also academically gifted, but chose to spend the time afforded by such an advantage, to draw a million pictures. The number four in this band kept mostly mum on the subject. I suspect either then or perhaps also now, she was daydreaming on some other plane of existence where the fairies and hobgoblins have newspaper columns and discotheques with no advertising and no bouncers. Once she cut off all her hair, and once I like to think she had a month long goth phase. They did the crossword puzzle in the newspaper and drank coffee. The sun shine was beautiful and sad at the same time like how Judy Garland sings.

They got into the day dreamer's Toyota pick up truck. I picked up a tennis ball and looked at them through the windshield. They looked like an absolutely stunning 1970s set of sunglasses people. This was the picture I should have taken. The artist was driving, and the bemused smile he had on made it seem like he heard Judy Garland too. When I was a little kid I would be amazed to see the life I've lived since then. And I'm too superstitious right now to tell you the movie scenes that would illustrate it up.

I remembered Franny and the driver were from Maryland as the engine started and they started on their way. In Maryland my friends and I used to throw a ball at the car of the friends that drove away. I forgot my shoulder got busted since then. I made a pretty good throw. Franny held her hand out the window as they disappeared up the long driveway into the trees. The ball flew a high arc towards her but couldn't make up the distance the truck was traveling. It bounced a big bounce falling a little short of its target, and then my friends were gone.

Michael Musika